CineasteWest — 9 years ago(January 13, 2017 04:28 PM)
To answer your question, there is NOTHING great about this film. It's lousy.
It's as if it was penned by a second year NYU film students who had a flash that he could create a parallel structure to create something brilliant and new, a PARALLEL STRUCTURE, I should say that in all caps, because that's as subtle as the screenplay is. I don't think I've ever seen a more flaccid attempt at trying something "different" in my life. Using a PARALLEL STRUCTURE is hardly a new idea and it's so poorly implemented as to make me think it should forever be eradicated by the Directors Guild of American to prevent it happening again.
The number one failure of this film is DON'T TRY TO TELL TWO STORIES IF THEY'RE NOT BOTH EQUALLY INTERESTING. There was a fairly recent British film where a writer is investigating a historical romance found in a series of letters, and that was tied to her own love story. Unfortunately, and as exactly what happens in "Noctural Animals" is that one story is fairly intriguing while the other is dull, so one instinctively starts reaching for that FAST FORWARD BUTTON IN ONE'S MIND to skip the doldrums.
That was exactly what happened with Noctural Animals with me. I gave the film a good hour to convince me that Amy Adam's melancholy baths (and baths, and baths, and baths) were somehow going to be ingeniously shadowed by the parallel story that the film would click at some point. However it never clicks. Adam's mundane story slowly became more and more of a roadblock to the interesting (if cliched) advances of the crime story so instead of creating a sense of intrigue, all that's created is a sense restlessness.
Directorially, don't think I've ever more amateurish attempt at linking transitions in my life. There must have been twenty of them. Jake Gyllenhall takes a shower, cut to Adams in the shower. Adams wake up from a dream, cut Jake wakes up from a dream. OKAY WE GET IT ALREADY. Absolute overkill and lazy, lazy direction. David Lean would be rolling over in his grave.
If the film showed any real originality, I might call it a failed experiment. But as I can't even credit the film with a smidgen of originality for its amateurish PARALLEL STRUCTURE 101, and so I can only call it is a lousy, no, TWO lousy films.