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Why isn't there a Tony for…

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  • F Offline
    F Offline
    fgadmin
    wrote on last edited by
    #1

    Archived from the IMDb Discussion Forums — Theater Awards


    IMDB_Vits — 11 years ago(September 25, 2014 09:49 AM)

    Best Book of a Play? There's only Best Book of a Musical.

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      Harold_Robbins — 11 years ago(September 26, 2014 06:51 AM)

      Because the play is the book.
      In
      my
      case, self-absorption is
      completely
      justified.

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        fgadmin
        wrote on last edited by
        #3

        IMDB_Vits — 11 years ago(September 26, 2014 11:50 AM)

        What do you mean?

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          #4

          angelx — 10 years ago(June 08, 2015 07:38 PM)

          At the Tonys, the author of the play wins the Tony along with the producers. I, too, have been wondering why don't they have a separate category for Best Writing of a Play for just the authors.

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            #5

            DryToast — 10 years ago(September 14, 2015 04:21 AM)

            At the 19th Annual Tony Awards, given on June 13, 1965, there was a "Best Play" category, a "Best Producer (Dramatic)" category, and a "Best Author (Dramatic)" category.
            Best Play
            The Subject Was Roses
            by Frank Gilroy
            Luv
            by Murray Schisgal
            The Odd Couple
            by Neil Simon
            Tiny Alice
            by Edward Albee
            Best Producer (Dramatic)
            Claire Nichtern,
            Luv
            Hume Cronyn, Allen Hogdon Inc., Stevens Productions Inc. and Bonfils-Seawell Enterprises,
            Slow Dance on the Killing Ground
            Theatre 1965, Richard Barr and Clinton Wilder,
            Tiny Alice
            Robert Whitehead,
            Tartuffe
            Best Author (Dramatic)
            Neil Simon,
            The Odd Couple
            Edward Albee,
            Tiny Alice
            Frank Gilroy,
            The Subject Was Roses
            Murray Schisgal,
            Luv
            The musical categories had similar divisions:
            Best Musical
            Fiddler on the Roof
            Golden Boy
            Half a Sixpence
            Oh, What a Lovely War!
            Best Producer (Musical)
            Harold Prince,
            Fiddler on the Roof
            Allen-Hodgdon, Stevens Productions Inc. and Harold Fielding,
            Half a Sixpence
            Hillard Elkins,
            Golden Boy
            David Merrick,
            The Roar of the Greasepaint The Smell of the Crowd
            Best Original Score (Music and/or Lyrics) Written for the Theatre
            Fiddler on the Roof
            , Jerry Bock (music) and Sheldon Harnick (lyrics)
            The Roar of the Greasepaint The Smell of the Crowd
            , Anthony Newley (music) and Leslie Bricusse (lyrics)
            Half a Sixpence
            , David Heneker (music and lyrics)
            Do I Hear a Waltz?
            , Richard Rodgers (music) and Stephen Sondheim (lyrics)
            Best Author (Musical)
            Joseph Stein,
            Fiddler on the Roof
            Jerome Coopersmith,
            Baker Street
            Beverly Cross,
            Half a Sixpence
            Sidney Michaels,
            Ben Franklin in Paris
            I suspect that people were confused by this.
            I don't know if it's "really wacky," but your French is coming along.

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              fgadmin
              wrote on last edited by
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              DryToast — 10 years ago(December 28, 2015 10:24 AM)

              I have edited my post, which may have been a little confusing itself.
              I don't know if it's "really wacky," but your French is coming along.

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